The atmosphere of any space is mostly shaped by light. Light qualifies space and is - without being solid - the essential matter of architecture.

Our lamps were designed using authorial techniques, refined over the years. They are made of steel structure with electrostatic painting, covered with a thin fabric and Kozo - the oldest Japanese paper in the world, used to this day for its excellence and its remarkable quality of light diffusion, resistance, and durability.

They are the result of a spirit of experimentation and exploration. Invention may come in many forms, sometimes the lamps are sketched, at times they appear as fleeting images in the mind while ordinary life goes on. Sometimes they are conceived from the very objects in the studio, whose functions change and acquire new outlines and meanings. Stacked lamp frames transform into tall columns.  Fabric and paper are no longer flat, but become three-dimensional constructive elements, transforming into "new" materials. The studio itself is - in its ever-changing arrangement – a source of continuous inspiration - the way things are stored, a frame placed next to another with no apparent relationship - everything may be a starting point.

Surprise is a fundamental element within this process. Intentions are permanently open, ready to be changed along the way. Limitations can be inspiring, and "mistakes" can unveil new exciting paths, previously unimagined to be taken. 

The studio is a place where the entire world fits.